“The yearning for certainty which grails the scientist, the aching beauty which harasses the artist, the sweet thorn of justice which fierces the rebel from the eases of life, or the thrill of exultation with which we hear of true acts of that now difficult virtue of courage, of cheerful endurance of hopeless suffering are these really derivable from matter? Or even continuous with the idiot hierarchies of speechless apes?”
From volume X of the file · Book · 20th century
Themes: beauty & art · justice & law · reason & truth
More from Julian Jaynes
“Abstract words are ancient coins whose concrete images in the busy give-and-take of talk have worn away with use.”
“How often in our frustrations with trying to solve the mysteries of mind do we comfort our questions with anatomy, real or fancied, and think of a thought as a particular neuron or a mood as a particular neurotransmitter! It is a temptation born of exasperation with the untestableness and vagueness of all the above solutions. Away with these verbal subtleties!”
“O, What a world of unseen visions and heard silences, this insubstantial country of the mind! What ineffable essences, these touchless rememberings and unshowable reveries! And the privacy of it all! A secret theater of speechless monologue and prevenient counsel, an invisible mansion of all moods, musings, and mysteries, an infinite resort of disappointments and discoveries. A whole kingdom where each of us reigns reclusively alone, questioning what we will, commanding what we can. A hidden hermitage where we may study out the troubled book of what we have done and yet may do. An introcosm that is more myself than anything I can find in a mirror. This consciousness that is myself of selves, that is everything, and yet nothing at all—what is it?”
“...there are several stages of creative thought: first, a stage of preparation in which the problem is consciously worked over; then a period of incubation without any conscious concentration upon the problem; and then the illumination which is later justified by logic. The parallel between these important and complex problems and the simple problems of judging weights or the circle-triangle series is obvious. The period of preparation is essentially the setting up of a complex struction together with conscious attention to the materials on which the struction is to work. But then the actual process of reasoning, the dark leap into huge discovery, just as in the simple trivial judgment of weights, has no representation in consciousness. Indeed, it is sometimes almost as if the problem had to be forgotten to be solved.”