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Ian O’Shaughnessy

Quotes · Beryl Markham

“To see ten thousand animals untamed and not branded with the symbols of human commerce is like scaling an unconquered mountain for the first time, or like finding a forest without roads or footpaths, or the blemish of an axe. You know then what you had always been told—that the world once lived and grew without adding machines and newsprint and brick-walled streets and the tyranny of clocks.”

– Beryl Markham, West With The Night, North Point Press, 1942, pg. 38

From volume IX of the file · Book · 20th century

Themes: wilderness

More from Beryl Markham

“I have had responsibilities and work, dangers and pleasure, good friends, and a world without walls to live in. These things I still have, I remind myself—and shall have until I leave them.”

– Beryl Markham,West With The Night, North Point Press, 1942, pg. 239.

“If a man has any greatness in him, it comes to light, not in one flamboyant hour, but in the ledger of his daily work.”

– Beryl Markham, West With The Night, North Point Press, 1942, pg. 153.

“It is no good telling yourself that one day you will wish you had never made that change; it is no good anticipating regrets. Every tomorrow ought not to resemble every yesterday.”

– Beryl Markham, West With The Night, North Point Press, 1942, pg. 238.

“There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rain-storm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.”

– Beryl Markham, West With The Night, North Point Press, 1942, pgs. 48-49.